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02 Nov: Songs Of A Lost World – The Cure Review

After 16 years, The Cure is back with Songs of a Lost World, a record that feels like it’s emerged slowly from the shadows rather than sprung from some dramatic comeback narrative. True to form, Robert Smith doesn’t lean on big hooks or flashy production; instead, he lets the music unfold on its own terms, taking its time in the way that only a band with nothing left to prove can.

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01 Nov: “Punish” – Ethel Cain: A Haunting Exploration of Shame and Redemption

Ethel Cain’s latest single, “Punish,” released on November 1, 2024, serves as the lead track from her forthcoming project, Perverts, set for release on January 8, 2025. This nearly seven-minute composition delves into profound themes of shame and the justification of unforgivable acts, reflecting Cain’s introspective songwriting and atmospheric production.

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01 Nov: “SHELL ( OF A MAN )” – Saya Gray: A Contemplative Exploration of Identity and Transformation

In “SHELL ( OF A MAN ),” Saya Gray delves into themes of self-reflection and personal evolution. This track serves as the lead single from her forthcoming debut album, SAYA, set for release on February 21, 2025, via Dirty Hit. Gray describes the album as a documentation of her journey through various transitions, emphasizing the importance of self-discovery and growth.

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01 Nov: “I remember how your hands felt on mine” – Wisp: A Shoegaze Reflection on Past Connections

In “I remember how your hands felt on mine,” Wisp delves into the complexities of holding onto past relationships and experiences. Released on October 31, 2024, this track marks her first offering since the April EP Pandora. The song encapsulates the internal debate of whether to let go and move on, capturing the fear that releasing these memories might mean losing those feelings forever.

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01 Nov: “LEECHES” – Ledbyher: Navigating Darkness and Self-Discovery

In “LEECHES,” Ledbyher crafts an intense, introspective dive into the complexity of relationships and personal growth within a world where everyone seems to take more than they give. Known for her experimental blend of bedroom drill and introspective pop, Ledbyher has quickly risen in the UK music scene by transforming raw emotion into immersive, atmospheric soundscapes. This track sees her taking an unflinching look at her own journey, exploring resilience and boundaries in a way that feels genuine and grounded. Her approach allows listeners to experience the push and pull of internal conflict while her lyrics act as a quiet but pointed confrontation against those who drain one’s energy without remorse.

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01 Nov: “Hiraeth” – Stillwater Blackball: A Reflection on Paths Diverged

In “Hiraeth,” Stillwater Blackball dives into a deeply personal exploration of identity, place, and the diverging paths that shape us. The song, born from the realization that a childhood friend had gone on to win Miss Wales, captures a sense of wistful introspection, merging memories of a shared beginning with the poignant curiosity about what might have been. It’s a conversation with a friend who’s drifted into another life, and with a version of the artist himself that could have been. This theme of duality runs through the song’s lyrics, leaning on imagery borrowed from Dylan Thomas’s Fern Hill, lending the track a nostalgic yet complex literary quality.

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01 Nov: “Bloom” – Tone Ranger: Expanding the Boundaries of Southwest Sound

In “Bloom,” Tone Ranger—otherwise known as Alex Simon—takes us on an instrumental journey into the heart of the Southwest, an ambitious undertaking that connects past and present, tradition and innovation. As a composer and multi-instrumentalist, Simon has long found his inspiration in remote landscapes, and in this track, he combines the timeless allure of flamenco guitar with experimental electronic elements, evoking a sense of space and place that feels grounded yet otherworldly.