Carrying Torches, the dynamic band that has been lighting up stages across the Midwest, returns with their latest single, “All For Nothing.” Emerging from the unique blend of suburban Chicago’s vibrancy and the soulful calm of rural farmland, the band has crafted a distinctive sound that resonates with a broad audience. Since their formation in 2016, Carrying Torches has consistently evolved, and “All For Nothing” is a testament to their growth and musical prowess.
24 Aug: “I’m Here, I’ll Wait” – First Umpire: A Dual-Sided Exploration of Emotion and Self-Discovery
First Umpire, the latest project from Lebanese-American producer and multi-instrumentalist Pat Cheiban, makes a captivating debut with the double-sided single “I’m Here, I’ll Wait.” Comprising two tracks, “I’m Here” and “I’ll Wait,” this release offers a compelling introduction to Cheiban’s introspective and nuanced musical world. Drawing on his experiences navigating the contrasting landscapes of college life and the demanding music industry, Cheiban encapsulates the emotional turbulence and personal growth he has undergone, resulting in a sound that is both immersive and evocative.
If there was ever a perfect sound for a vibrant summer night, “Gumdrops” by SIESKI would be it. This track, which feels like an auditory offspring of Disclosure and Kimbra, is a radiant queer-coated sugar bop that immerses you in its irresistible rhythm from the first beat. SIESKI, known for her unique ability to blend dreamy soundscapes with alt-pop sensibilities, continues to push boundaries in the Canadian alternative music scene with this latest release.
Ivory Keyes, teamed up with the legendary Nottz Raw, delivers a track that shakes the ground beneath you. “Natural Born Killa” is not just another rap song; it’s a statement, a head-banging anthem that fuses unorthodox lyricism with a baseline that demands attention. If you’re tired of the same old, this is the song that will refresh your playlist and ignite your senses.
One Dan Band’s latest single, “The Beautiful Game,” embodies the raw energy and authenticity that only a DIY approach can deliver. Inspired by a six-part sports documentary, the track channels the heart-pounding intensity of the field into a piece that’s perfect for a long drive with the windows down. Recorded mostly on an iPhone, the lo-fi production doesn’t hold this song back—instead, it gives it a charming, gritty edge reminiscent of early garage rock.
Seoul Metro, the brainchild of Manchester-based songwriter and producer Chris Gibson, is back with another gem in his ambitious year-long project. “SAD!” is the seventh single in a series leading up to his debut album, and it beautifully encapsulates the essence of undiscovered indie/alt/bedroom pop.
After an intensive 6-month World Tour through the pubs and shady bars of New York, Amsterdam, and Zurich, Urban Walrus found its way back to the recording studio and presents its new masterpiece, a 90s rock anthem about ruing the day as it starts.
In the ever-evolving landscape of indie electronic music, Indonesian artist Wandour’s latest single, “Away,” stands out as a masterclass in dreamy electronica. Known for his “almost crystalline like” riffs and captivating melodies, Wandour delivers a track that not only captures the essence of vibrant summer nights but also showcases his growing prowess in the electronic music scene.
Hailing from Ulverstone in North-West Tasmania, Don’t Come Monday has carved a niche in the local music scene with their eclectic mix of rock, blues, folk, funk, punk, reggae, and country. Their latest single, “A Man’s Man,” exemplifies this diverse blend, taking listeners on a journey through contemporary rock and blues with a distinctly Tasmanian twist.
HĀZIALE’s latest single “Unknown Face” is a poignant addition to the dream/bedroom pop genre, delivering a serene yet powerful auditory experience. Originating during the confinement of 2020, HĀZIALE’s music serves as a conduit for artistic escapism, blending the lo-fi aesthetics of the past with a modern, introspective touch.