Artist: Leo Sawikin Single: Till You’re Somebody Else Genre: Dream Pop, Indie Pop, Indie Rock Release Date: April 2nd, 2024
Ascending, ethereal, floaty. Sparkly synths and colorful guitars. Reverb-laden vocals soar atop unique chord progressions, creating a mesmerizing, all-encompassing mosaic of sound. Fans of close-your-eyes-and-float music will fall in love this track.
Leo Sawikin, a singer/songwriter from New York City, releases his latest single “Till You’re Somebody Else” on April 2, ahead of his 2024 album release. Recorded at Stone Gossard’s Studio Litho in Seattle with producer Phil Ek and mastered by Greg Calbi at Sterling Sound, the track explores themes of human growth and evolution. Sawikin’s solo work, described as “indie folk pop with a dreamy shimmer,” has garnered praise for its emotional depth and musical finesse.
His upcoming album marks a departure from his debut, embracing themes of presence and peace amid uncertainty. Sawikin’s collaboration with Ek has resulted in a fresh sound, showcasing his instrumental prowess and distilling his songs to their essence. Set to embark on a tour with Jon McLaughlin from May 5, Sawikin’s music promises to enchant audiences with its ethereal melodies and thought-provoking lyrics.
Get tix to his May 13th show at Fremont Abbey Arts Center here
Check out Leo Sawikin on socials:
https://www.leosawikin.com/
https://www.facebook.com/leosawikin/
https://twitter.com/LeoSawikinMusic
https://open.spotify.com/artist/4DPE76iPFUZzRhXQPquaWn?si=7bfI6XWmRvm-tIJ-a_it8A&nd=1
https://soundcloud.com/leosawikin
https://leosawikin.bandcamp.com/
https://www.youtube.com/channel/UC-bd4ABPiOQnzWvAOgeiC0A/featured
https://www.instagram.com/leosawikin/
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“Till You're Somebody Else” and other tracks featured this month can be streamed on the updating DA DA DA - Best New Music
We discovered this release via MusoSoup, as part of the artist’s promotional campaign.
Reviews
Kylie Rothfield’s “The Barrel” is a gentle gut-punch of a song—a slow-burner that takes its time to cut through the noise and land somewhere deep. It’s indie pop with a soul, borrowing from R&B’s emotional playbook and infusing it with something both timeless and incredibly of-the-moment. Co-written with a team that has their fingerprints on everything from Chapell Roan to Kelly Clarkson, the song is an exploration of exhaustion—the kind that comes from being stuck in the same cycles, in life, in love, in feeling like you’ve settled for less than you deserve.
KARMA’s “SIS (She’s Something)” isn’t the type of track we typically review, but its engaging musicality and unapologetic message make it impossible to ignore. This Memphis-based trio delivers a fresh, club-ready anthem that celebrates the unselfish roles women play in everyday life, with a mix of sass, soul, and swagger. It’s a song designed to uplift, and it does so with infectious energy and smooth production.
Andi Fins’ “You Need A Friend” is a warm, introspective hug in musical form—a celebration of companionship that feels refreshingly sincere without tipping into saccharine territory. Set against a backdrop of shimmering DX7 chords and playful guitar lines, the song channels a relaxed, almost effortless vibe that invites listeners into a world of quiet nights, cozy conversations, and the simple joy of shared moments.
“Mile Wide” by Trickshooter Social Club taps into the restless, rebellious spirit of Americana, delivering a track that celebrates breaking free from self-imposed constraints. It’s a song about blowing open the cages we build for ourselves and embracing the chaos that comes with defying expectations. The band, rooted in Chicago’s rich tradition of roots-rock, layers this message over a foundation of stomping rhythms and unapologetically gritty guitar work, inviting listeners to escape alongside them.
BOYFRN’s single “GoGo,” released on July 26, 2024, brings a dynamic fusion of emotional depth and rhythmic drive. Produced by Bobby Love, Young Clancy, and Dave Plowman, and supported by Jahmal Padmore’s drumming, “GoGo” navigates the stages of grief through an explosive, rhythmic canvas. The track’s themes of anger and resilience resonate as BOYFRN delivers a raw, poetic reflection on pushing through hardship.
Grace McLean’s “My Lovely Enemy” is an eerie, entrancing track that defies easy classification. It weaves together a mix of avant-garde pop, blending synths, strings, funky bass lines, and even New Orleans-style horns. The result is a song that constantly shifts and evolves, offering a fresh piece of ear candy every few seconds as it moves between sparse moments and full orchestral swells. This unpredictable soundscape keeps listeners on edge, never settling into one mood or feeling for too long.
Maggie Rogers has treated fans to her first new material since the release of her album Don’t Forget Me earlier this year. The single, titled “In The Living Room,” is a nostalgic nod packed with 90s-inspired guitars and LeAnn Rimes-esque vocal hooks. Co-written and co-produced with Ian Fitchuk, the track was born out of a March 2023 studio session, just a few months after finishing her latest album.
Seattle-based artist Annie J’s latest single, “Gotta Give It Up,” from her upcoming EP “Been Loving You,” is a disco-infused gem that blends funky rhythms with modern pop sensibility. Bursting with energy, this track is designed to make you move, with a groove that’s infectious from the first note.
“A Letter From A Friend” feels like an intimate conversation, woven with a warmth that only comes from experience. Across the album, Beck shares his personal reflections, offering a glimpse into nearly a decade of his life. The album isn’t overly dramatic; instead, it’s grounded in the quiet moments of everyday existence. The acoustic-driven sound, organic and unpretentious, creates an atmosphere where each song feels like a slow, deliberate exchange of thoughts—familiar, yet meaningful.
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Mk.Gee’s ongoing tour has taken a unique turn, with his song “DNM” becoming an unexpected centerpiece of his shows. Fans across multiple cities have noticed a trend—Mk.Gee is playing “DNM” not just once or twice, but sometimes five, six, or even more times per performance! On Reddit, users from Nashville, Dallas, and other cities have shared their excitement, with some even saying Mk.Gee played the track 9 or 10 times in a single night. One fan from Nashville commented, “I swear I think he played it like 5 times,” while another from DC mentioned, “5 times in DC last night :)”.
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