Seattle’s music scene is no stranger to innovation, and Waltzerr is adding its own distinct voice to the mix. With their recent EP, the band isn’t just following indie rock traditions—they’re reshaping them. In this interview, we explore how they’ve crafted their sound, the intricacies of their recording process, and how Seattle’s vibrant music landscape shapes their work.
We got the chance to speak with V of 40M and delve into the inspiration behind their new anthem “The Score,” and to explore how it fits into the larger narrative of their music and the 40M movement. V of 40M shares insights on their creative process, the significance of their collaborations, and the revolutionary message that sets their music apart in today’s hip-hop landscape.
There’s something quietly nostalgic about “Dreaming,” the latest single from San Francisco’s Michellar. With a guitar riff that feels plucked from a 60s spy film and a clear nod to the psychedelic pop of that era, the song sets a familiar mood: cinematic, moody, and reflective. But at its core, “Dreaming” is more personal than stylistic. It’s a song about losing sight of what once felt possible—and what it means to still hold onto that spark, even when it’s dimmed.
“elvira” doesn’t hide behind distortion. That’s the first thing you notice. While most shoegaze and dream pop tracks bury the vocals beneath layers of reverb and haze, The Links make a different choice. Jack Morrison’s voice cuts clean through the mix—not in spite of the fog, but in command of it. That clarity makes this song hit harder, not softer.
Ainsley Costello’s latest single, EXLESS, feels like a big, colorful, high-energy anthem tailor-made for blasting in the car with the windows down. It’s confident, polished, and effortlessly catchy—so much so that you might feel like you’ve already heard it before, in the best way possible.
Story, Music, Context: Da Da Da
Lady Gaga has never been one to settle. Over the past fifteen years, she has redefined the boundaries of pop music, oscillating between avant-garde spectacle and raw, unfiltered artistry. But with her latest release, Mayhem, the 13-time Grammy winner is making a seismic return to her dance-pop roots—while offering a stark reflection on fame, reinvention, and an industry that both exalts and exhausts its biggest stars.
Kanye West’s Yeezy website has been removed after Shopify banned it for violating platform policies. The site was selling T-shirts featuring swastikas, sparking public outrage and backlash from organizations like the Anti-Defamation League (ADL).
If you’re looking for a free compressor that can add punch and character to your drum tracks, Rough Rider 3 by Audio Damage is an absolute must-have. I use it on almost all of my drums, and it never fails to deliver tight, energetic compression that elevates my mixes.
Audiothing’s Reels plugin brings the unmistakable warmth and character of vintage reel-to-reel tape machines to your digital workflow. Perfect for music producers, sound designers, and audio engineers, Reels delivers the rich saturation, subtle compression, and organic imperfections that are often missing in purely digital setups.
When it comes to software, one of the best strategies is to wait for those incredible sales—because, let’s face it, digital products don’t have the same production costs as physical gear, so they often go on steep discounts. $49 is dirt cheap for the level of quality and versatility you’re getting here. If you’ve been holding off on buying premium music software, now’s the time to jump on this deal before it’s gone.
If you’re looking for a free compressor that can add punch and character to your drum tracks, Rough Rider 3 by Audio Damage is an absolute must-have. I use it on almost all of my drums, and it never fails to deliver tight, energetic compression that elevates my mixes.
Audiothing’s Reels plugin brings the unmistakable warmth and character of vintage reel-to-reel tape machines to your digital workflow. Perfect for music producers, sound designers, and audio engineers, Reels delivers the rich saturation, subtle compression, and organic imperfections that are often missing in purely digital setups.
When it comes to software, one of the best strategies is to wait for those incredible sales—because, let’s face it, digital products don’t have the same production costs as physical gear, so they often go on steep discounts. $49 is dirt cheap for the level of quality and versatility you’re getting here. If you’ve been holding off on buying premium music software, now’s the time to jump on this deal before it’s gone.