Seattle’s music scene is no stranger to innovation, and Waltzerr is adding its own distinct voice to the mix. With their recent EP, the band isn’t just following indie rock traditions—they’re reshaping them. In this interview, we explore how they’ve crafted their sound, the intricacies of their recording process, and how Seattle’s vibrant music landscape shapes their work.
We got the chance to speak with V of 40M and delve into the inspiration behind their new anthem “The Score,” and to explore how it fits into the larger narrative of their music and the 40M movement. V of 40M shares insights on their creative process, the significance of their collaborations, and the revolutionary message that sets their music apart in today’s hip-hop landscape.
Frank Rabeyrolles has spent the past two decades quietly building a catalog that defies easy categorization. From his early work as Double U to the more stripped-down releases under his own name, he’s navigated a space between folk, ambient, and experimental pop, never fully settling into one genre. His latest album, In Conversations, continues that trajectory, embracing lo-fi textures and intimate songwriting while maintaining the atmospheric depth that has become his signature.
Brian Noyes has been quietly shaping Seattle’s indie music scene for a while now, balancing his time between his psych pop group Tomten and playing keys for Papercuts. With his upcoming album Seelie Court, he’s stepping further into his own sound, a rich, dreamy take on baroque pop.
At just 16, Edie Yvonne is carving out a space for herself in the growing wave of emotionally charged, confessional pop. Her latest single, I Might, continues the raw storytelling she delivered in Burn and Epitome, forming what feels like a trilogy of self-exploration and release. If those previous tracks wrestled with honesty and confrontation, I Might leans into the moment of letting go.
Story, Music, Context: Da Da Da
Kanye West’s Yeezy website has been removed after Shopify banned it for violating platform policies. The site was selling T-shirts featuring swastikas, sparking public outrage and backlash from organizations like the Anti-Defamation League (ADL).
10 of the biggest concerts coming to Seattle this November – from megastars to psychedelic bands.
If you’re looking for a free compressor that can add punch and character to your drum tracks, Rough Rider 3 by Audio Damage is an absolute must-have. I use it on almost all of my drums, and it never fails to deliver tight, energetic compression that elevates my mixes.
Audiothing’s Reels plugin brings the unmistakable warmth and character of vintage reel-to-reel tape machines to your digital workflow. Perfect for music producers, sound designers, and audio engineers, Reels delivers the rich saturation, subtle compression, and organic imperfections that are often missing in purely digital setups.
When it comes to software, one of the best strategies is to wait for those incredible sales—because, let’s face it, digital products don’t have the same production costs as physical gear, so they often go on steep discounts. $49 is dirt cheap for the level of quality and versatility you’re getting here. If you’ve been holding off on buying premium music software, now’s the time to jump on this deal before it’s gone.
If you’re looking for a free compressor that can add punch and character to your drum tracks, Rough Rider 3 by Audio Damage is an absolute must-have. I use it on almost all of my drums, and it never fails to deliver tight, energetic compression that elevates my mixes.
Audiothing’s Reels plugin brings the unmistakable warmth and character of vintage reel-to-reel tape machines to your digital workflow. Perfect for music producers, sound designers, and audio engineers, Reels delivers the rich saturation, subtle compression, and organic imperfections that are often missing in purely digital setups.
When it comes to software, one of the best strategies is to wait for those incredible sales—because, let’s face it, digital products don’t have the same production costs as physical gear, so they often go on steep discounts. $49 is dirt cheap for the level of quality and versatility you’re getting here. If you’ve been holding off on buying premium music software, now’s the time to jump on this deal before it’s gone.