Seoul Metro, the brainchild of Manchester-based songwriter and producer Chris Gibson, is back with another gem in his ambitious year-long project. “SAD!” is the seventh single in a series leading up to his debut album, and it beautifully encapsulates the essence of undiscovered indie/alt/bedroom pop.
After an intensive 6-month World Tour through the pubs and shady bars of New York, Amsterdam, and Zurich, Urban Walrus found its way back to the recording studio and presents its new masterpiece, a 90s rock anthem about ruing the day as it starts.
In the ever-evolving landscape of indie electronic music, Indonesian artist Wandour’s latest single, “Away,” stands out as a masterclass in dreamy electronica. Known for his “almost crystalline like” riffs and captivating melodies, Wandour delivers a track that not only captures the essence of vibrant summer nights but also showcases his growing prowess in the electronic music scene.
Hailing from Ulverstone in North-West Tasmania, Don’t Come Monday has carved a niche in the local music scene with their eclectic mix of rock, blues, folk, funk, punk, reggae, and country. Their latest single, “A Man’s Man,” exemplifies this diverse blend, taking listeners on a journey through contemporary rock and blues with a distinctly Tasmanian twist.
HĀZIALE’s latest single “Unknown Face” is a poignant addition to the dream/bedroom pop genre, delivering a serene yet powerful auditory experience. Originating during the confinement of 2020, HĀZIALE’s music serves as a conduit for artistic escapism, blending the lo-fi aesthetics of the past with a modern, introspective touch.
Following the evocative and contemplative “In A World Gone Wrong,” CS Hellman returns with his latest single “Something Simple,” produced by Jared Corder of *repeat repeat at Polychrome Ranch outside of Nashville. This track transports listeners into a dreamlike alternate reality, embodying a sense of hopefulness that is grounded in the bittersweet acknowledgement of life’s complexities and challenges.
Aggregate Critic Reviews of “Where I’ve Been, Isn’t Where I’m Going” by Shaboozey
The Muster Point Project (TMPP) has once again proven their knack for creating engaging and relatable music with their latest single, “Now We’re Successful.” This Canadian indie band, led by the multi-talented Kevin Franco, delivers a track that is as fun and rhythmically captivating as it is lyrically clever. With Latin percussion, catchy hooks, and a touch of heartfelt sarcasm, “Now We’re Successful” is a delightful addition to the New Americana genre.
In the tumultuous landscape of contemporary post-hardcore and hard rock, Lives Lost has carved out a niche that resonates deeply with listeners who crave raw, emotive storytelling. Their latest single, “Numb the Pain,” released on June 28, 2024, is a testament to their evolving artistry and unflinching approach to tackling heavy themes.
Nick Marks’ latest single “Alpha Bete” continues his tradition of blending genres into a seamless, boundary-defying symphony. Following the acclaimed EPs Cinematic Chromatics Vols. I + II, Marks returns with a track that promises to be the first of many leading up to Cinematic Chromatics Vol. III.