Frankie Valli Addresses Viral Concerns Over His Health and Lip-Syncing, Says He’s ‘Still Rocking’ at 90
Legendary singer Frankie Valli has responded to fans' concerns about his health and the noticeable lip-syncing in his recent performances after videos of the shows went viral online. Last month, clips of The Four Seasons frontman appeared on TikTok, where many noticed he seemed to lag behind choreography and was clearly lip-syncing to pre-recorded tracks during the gigs.
Fans raised concerns about whether Valli was "exhausted" or needed to be "checked on," but in a statement to People magazine, the music icon set the record straight, insisting he's doing just fine.
"I know there’s been a lot of talk on the internet about me lately, so I wanted to clear the air," Valli explained. "I’m blessed to be 90 years old and still doing what I love. As long as I’m able and the fans keep showing up, I’m going to keep performing. I absolutely love what I do, and the fans are still coming out in force because the show still rocks."
Addressing the lip-syncing directly, Valli shared that The Four Seasons sound was always about more than just live vocals—it’s a layered production, and his goal is to stay true to that iconic sound.
"The Four Seasons’ sound has always been about layering vocals and instruments to recreate the magic of the records," he said. "Yes, we use tracks to maintain that same polished quality. I sing, my band sings, and we’ve got great arrangements to give the fans the experience they expect. I’ve seen the comments, and some of them made me laugh, like people thinking I’m being forced to perform. Nobody’s ever made me do something I didn’t want to do!"
Despite the online chatter, Valli shows no signs of stopping, with tour dates lined up until April 2025. "Like the line from Jersey Boys says, I’m like that bunny on TV, just keeps going and going. Chasing the music," he added.
Mk.Gee's ongoing tour has taken a unique turn, with his song "DNM" becoming an unexpected centerpiece of his shows. Fans across multiple cities have noticed a trend—Mk.Gee is playing "DNM" not just once or twice, but sometimes five, six, or even more times per performance! On Reddit, users from Nashville, Dallas, and other cities have shared their excitement, with some even saying Mk.Gee played the track 9 or 10 times in a single night. One fan from Nashville commented, "I swear I think he played it like 5 times," while another from DC mentioned, "5 times in DC last night :)".
In an emotional farewell to a Seattle institution, The Trading Musician, a beloved music store in the University District, closed its doors after 33 years, marking a significant loss for the local music community.
In their first home game since Macklemore's recent controversial comments, the Seattle Mariners made a notable change during the seventh-inning stretch, opting not to play the rapper’s hit song "Can't Hold Us," which has been a tradition for over two years.
Philadelphia fans were left disappointed on September 28 when rising indie artist Mk.Gee canceled his highly anticipated show at the last minute. The announcement came via Mk.Gee’s Instagram story, where he apologized, explaining that he was simply burnt out and couldn’t bring himself to perform another show after a grueling schedule.
Legendary singer Frankie Valli has responded to fans' concerns about his health and the noticeable lip-syncing in his recent performances after videos of the shows went viral online.
With a diverse array of genres everywhere from indie-pop to death rock, people interested in finding new local music need not go further than their nearest venue to discover their new favorite band. There are countless talented artists in the Seattle area, all of which deserve to be listened to and talked about. While this article can’t list them all, it will give you a head start on highlighting a few to get your feet on the ground.
Calling all festival goers to Portland rapper Aminé’s inaugural music festival, “The Best Day Ever”. This festival will take place August 10th through 11th at the McMenamins Edgefield Amphitheater in Troutdale, Oregon. Featuring a diverse mix of Hip Hop, Rap, R&B, and Dance/Electronic, this festival won’t be one to miss.
While the album’s production and performances are nothing short of incredible, his album received a significant boost in popularity after a viral appearance on Jimmy Kimmel. Imperfections, like his cracked voice and slightly out-of-tune guitar, enhance the potency of his performance. Amidst the backdrop of moody lighting, the haunting melody of a soprano saxophone adds to the surreal, ethereal ambiance. Fans cite this as their favorite rendition of the song, by far.
Kendrick Lamar fires back at Drake's diss tracks with "Euphoria," addressing their feud head-on. Lamar brings up Drake’s use of AI Tupac, calls him dishonest, and mentions J. Cole, Pusha T. He goes in hard, and there’s a rumored 19-minute unreleased version of the track. Kendrick really hates this guy. The response has garnered praise from Jay Rock and Punch, while Metro Boomin indirectly acknowledges it.
"A Letter From A Friend" feels like an intimate conversation, woven with a warmth that only comes from experience. Across the album, Beck shares his personal reflections, offering a glimpse into nearly a decade of his life. The album isn’t overly dramatic; instead, it’s grounded in the quiet moments of everyday existence. The acoustic-driven sound, organic and unpretentious, creates an atmosphere where each song feels like a slow, deliberate exchange of thoughts—familiar, yet meaningful.
The Mortal Prophets' latest EP The American Junkie Show arrives with a sharp, timely focus on the turbulence of contemporary American life. Led by frontman John Beckmann, the EP centers around its standout feature—a seven-minute opus, also titled The American Junkie Show. This ambitious composition seamlessly intertwines two tracks, "American Junkie" and "An American Scene," delivering an unflinching critique of the country's socio-political climate, perfectly timed amidst a charged election season.
The Heroic Enthusiasts’ latest EP, Wake Me When It's Over, is a two-track release that expertly bridges 80s New Wave with contemporary electronic textures. Produced by Stephen Hague, a legend behind artists like New Order and Erasure, the New York duo of James Tabbi and Thomas Ferrara bring their Brit-pop and post-punk influences to life with precision and emotional depth.
Kylie Rothfield’s latest single, Never Loved Somebody, takes indie pop and infuses it with the timeless feel of 70s soft rock, a combination that feels as refreshing as it is emotionally evocative. Co-written and produced with Eric “Potz” Potapenko, the track is crafted with the intimacy of a home studio yet manages to capture the energy and polish of a live band performance.
With ICNCLST/, John Beckmann of Mortal Prophets continues his sonic exploration into the depths of the American psyche, following the striking blues-infused Dealey Plaza Blues with an equally captivating and experimental EP. This 7-song project, produced by David Sisko and mastered by Mike Tucci, infuses Beckmann’s penchant for rock-tinged pop with swirling psychedelia, creating a dreamlike atmosphere that is both haunting and engaging. ICNCLST/ feels like the soundtrack to a heat-soaked, late-summer dream, tinged with an ever-present sense of unease.
Rusty Reid’s Head to Heart feels like a personal manifesto, wrapped in folk-country charm, and delivered with the reflective wisdom of a troubadour who’s been around long enough to offer genuine insight. With its remix released in 2024, this album presents a more polished sound, inviting listeners to engage with its philosophical depth while enjoying the enhanced clarity and smoothness of its production. The title track, "Head to Heart," embodies the heart of this project—both musically and thematically.
Lolita Terrorist Sounds' latest release, “Living-in-glory,” feels like a meditation on tension—personal, political, and historical. The track, an avant-garde blend of drone, industrial clatter, and the unnerving intimacy of ASMR, doesn’t hold your hand through a narrative but instead invites you to sit with a strange discomfort. It’s unsettling and oddly hypnotic, a soundscape that is as much about the space between the notes as the tones themselves.
Tessa Lee’s “Mountains” is the kind of track that captures the restless spirit of adventure with an effortless charm. There’s something in the song’s laid-back, infectious energy that makes it feel like a soundtrack to a journey—whether you’re on the open road or simply daydreaming about being there. With riffs that stick in your head, a guitar solo that blazes through the mix, and sweet harmonies, it’s a song that feels light but carries just enough weight to linger.
Linda Sussman’s “Remember Dorothy” feels like a quiet anthem for today’s complex landscape. It's not loud, but it doesn’t need to be. The song, rooted in simple acoustic slide guitar and Sussman’s unvarnished vocals, speaks to the necessity of courage in the face of societal pressures. There’s a directness in her delivery that brings to mind the classic folk-blues era, where the music’s power lay in its message, not its embellishments.
Shaun Bartlett’s “I Threw A Stone – 2019 demo” carries a quiet confidence, wrapped in its simplicity. The track feels intimate, built around a soft piano progression and Bartlett’s calming vocal delivery. There’s something in the phrasing, the melody especially, that recalls the reflective tones of Coldplay, but it never feels derivative. Instead, it captures a certain universality in its approach to melody and space.
Citizens of Yeah!!!'s new single, "3 Little Piggies," offers an unexpected mix of angular guitars and sharp commentary on the rising cost of living in the UK. Led by Newcastle-based multi-instrumentalist Jonathan Womack, the track paints a stark, albeit playful, picture of a world where wolves loom large—both metaphorically and literally.
Attom Darcy Blvd’s debut single, "Let's Try Again," is a steady dive into the nostalgic heart of soul music, evoking the spirit of Etta James and Otis Redding. The track, set in a slow 6/8 time signature, builds itself around a bluesy ballad structure that lets its soulful foundation breathe.
Seattle’s music scene is no stranger to innovation, and Waltzerr is adding its own distinct voice to the mix. With their recent EP, the band isn’t just following indie rock traditions—they’re reshaping them. In this interview, we explore how they’ve crafted their sound, the intricacies of their recording process, and how Seattle’s vibrant music landscape shapes their work.