Brian Noyes has been quietly shaping Seattle’s indie music scene for a while now, balancing his time between his psych pop group Tomten and playing keys for Papercuts. With his upcoming album Seelie Court, he’s stepping further into his own sound, a rich, dreamy take on baroque pop.
At just 16, Edie Yvonne is carving out a space for herself in the growing wave of emotionally charged, confessional pop. Her latest single, I Might, continues the raw storytelling she delivered in Burn and Epitome, forming what feels like a trilogy of self-exploration and release. If those previous tracks wrestled with honesty and confrontation, I Might leans into the moment of letting go.
Ethan Gold’s new single, “I’m In The Moon,” is an introspective anthem for the introverts, a pulsating track that captures the beauty and complexity of solitude. While it’s an energetic tune, its heartbeat is in the defiance against the pressures of social interaction—a nod to those of us who carry the weight of trauma and rage quietly. Gold calls it “a hermit’s anthem,” and it’s easy to see why.
Alice Phoebe Lou’s latest single, “Better,” released on November 8, 2024, is a testament to her evolving artistry and ability to craft intimate, reflective music. With its rich, analog-inspired production and thoughtful lyrics, “Better” feels like a modern-day ode to the smooth textures of 1970s vinyl, yet it remains entirely in step with the current indie music landscape.
Artist: Work In TV Single: The Good Life Genre: Indie Pop, Alt Pop, Indie Rock Release Date: November 8th, 2024 Work In TV’s The…
Chinese American Bear, a Seattle-based duo comprising married musicians Anne Tong and Bryce Barsten, has been steadily carving a niche in the indie pop scene with their unique fusion of Chinese mando-pop and Western indie sensibilities.
In “Hiraeth,” Stillwater Blackball dives into a deeply personal exploration of identity, place, and the diverging paths that shape us. The song, born from the realization that a childhood friend had gone on to win Miss Wales, captures a sense of wistful introspection, merging memories of a shared beginning with the poignant curiosity about what might have been. It’s a conversation with a friend who’s drifted into another life, and with a version of the artist himself that could have been. This theme of duality runs through the song’s lyrics, leaning on imagery borrowed from Dylan Thomas’s Fern Hill, lending the track a nostalgic yet complex literary quality.
Kylie Rothfield’s “The Barrel” is a gentle gut-punch of a song—a slow-burner that takes its time to cut through the noise and land somewhere deep. It’s indie pop with a soul, borrowing from R&B’s emotional playbook and infusing it with something both timeless and incredibly of-the-moment. Co-written with a team that has their fingerprints on everything from Chapell Roan to Kelly Clarkson, the song is an exploration of exhaustion—the kind that comes from being stuck in the same cycles, in life, in love, in feeling like you’ve settled for less than you deserve.
Natalie Clark’s “Nothing Left to Lose” marks a return to her acoustic roots, yet it never feels small. Instead, it’s a track that swells with emotion and urgency, capturing the very essence of confronting fear and anxiety. Co-produced with Todd Spadafore, the song strips back the production layers that defined her recent work, letting Clark’s agile vocals take center stage. And it’s in that vocal delivery—raw, vulnerable, yet undeniably powerful—that the song finds its true heart.
Andi Fins’ “You Need A Friend” is a warm, introspective hug in musical form—a celebration of companionship that feels refreshingly sincere without tipping into saccharine territory. Set against a backdrop of shimmering DX7 chords and playful guitar lines, the song channels a relaxed, almost effortless vibe that invites listeners into a world of quiet nights, cozy conversations, and the simple joy of shared moments.