Maggie Rogers has treated fans to her first new material since the release of her album Don’t Forget Me earlier this year. The single, titled “In The Living Room,” is a nostalgic nod packed with 90s-inspired guitars and LeAnn Rimes-esque vocal hooks. Co-written and co-produced with Ian Fitchuk, the track was born out of a March 2023 studio session, just a few months after finishing her latest album.
Seattle’s music scene is no stranger to innovation, and Waltzerr is adding its own distinct voice to the mix. With their recent EP, the band isn’t just following indie rock traditions—they’re reshaping them. In this interview, we explore how they’ve crafted their sound, the intricacies of their recording process, and how Seattle’s vibrant music landscape shapes their work.
The Mortal Prophets’ latest EP The American Junkie Show arrives with a sharp, timely focus on the turbulence of contemporary American life. Led by frontman John Beckmann, the EP centers around its standout feature—a seven-minute opus, also titled The American Junkie Show. This ambitious composition seamlessly intertwines two tracks, “American Junkie” and “An American Scene,” delivering an unflinching critique of the country’s socio-political climate, perfectly timed amidst a charged election season.
24 Aug: “I’m Here, I’ll Wait” – First Umpire: A Dual-Sided Exploration of Emotion and Self-Discovery
First Umpire, the latest project from Lebanese-American producer and multi-instrumentalist Pat Cheiban, makes a captivating debut with the double-sided single “I’m Here, I’ll Wait.” Comprising two tracks, “I’m Here” and “I’ll Wait,” this release offers a compelling introduction to Cheiban’s introspective and nuanced musical world. Drawing on his experiences navigating the contrasting landscapes of college life and the demanding music industry, Cheiban encapsulates the emotional turbulence and personal growth he has undergone, resulting in a sound that is both immersive and evocative.
One Dan Band’s latest single, “The Beautiful Game,” embodies the raw energy and authenticity that only a DIY approach can deliver. Inspired by a six-part sports documentary, the track channels the heart-pounding intensity of the field into a piece that’s perfect for a long drive with the windows down. Recorded mostly on an iPhone, the lo-fi production doesn’t hold this song back—instead, it gives it a charming, gritty edge reminiscent of early garage rock.
Following the evocative and contemplative “In A World Gone Wrong,” CS Hellman returns with his latest single “Something Simple,” produced by Jared Corder of *repeat repeat at Polychrome Ranch outside of Nashville. This track transports listeners into a dreamlike alternate reality, embodying a sense of hopefulness that is grounded in the bittersweet acknowledgement of life’s complexities and challenges.
Artist: The Chris Ruben Band Single: Money Genre: Indie Rock, Synth Indie Rock, Indie Release Date: June 28th, 2024…
Influenced by classic alternative rock acts like the Pixies and contemporary bands like the Beths, Goddamn Wolves infuse their sound with a raw, garage punk energy. “Seven Days a Week” showcases this perfectly, combining fiery vocals with hard-hitting riffs and a rhythmic feel that almost evokes a sense of slow motion.
Understated indie icon Briston Maroney has just released a new single titled “Skydiver”. The track explores Maroney’s anxiety and fears about uncertainty through thoughtful lyrics and unique vocals. Tying all of his arduous thoughts and questions into a metaphor about hurtling towards the ground at full speed, Maroney has created yet another song that makes his listeners feel seen.
“The StoneHengers,” the seventh single from The Margaret Hooligans’ forthcoming album ThunderHole Rock n’ Roll, exemplifies the band’s talent for creating music that is both immediately accessible and richly layered. At first listen, the track comes across as an upbeat 90s rock song with driving electric ukulele riffs (yes, that’s a ukulele) and dynamic drumming. However, true to the band’s style, it quickly becomes apparent that there is more beneath the surface.