In response to high demand, the Seattle Bach Festival is adding two more screenings of the acclaimed documentary Living Bach. The film will be shown at the historic Edmonds Theater on Saturday, November 9, and at the Grand Cinema in Tacoma on Sunday, November 10. Each screening will include a live Bach performance and conclude with a community sing-and-play of “Jesu, Joy of Man’s Desiring.”
Stone Deaf’s “Red Head” packs a punch from the first chord, channeling the rawness and relentless energy of a band that’s barely a year old but already sounds seasoned. From BBC radio’s “rollicking” praise to sold-out shows in their hometown of Swansea, Stone Deaf’s trajectory has been steep, and it’s easy to see why. “Red Head” isn’t merely a song; it’s a rallying cry for those who’ve endured the toxic push and pull of manipulation, wrapped in a thick coat of distortion, thumping bass, and unapologetic power.
Kylie Rothfield’s “The Barrel” is a gentle gut-punch of a song—a slow-burner that takes its time to cut through the noise and land somewhere deep. It’s indie pop with a soul, borrowing from R&B’s emotional playbook and infusing it with something both timeless and incredibly of-the-moment. Co-written with a team that has their fingerprints on everything from Chapell Roan to Kelly Clarkson, the song is an exploration of exhaustion—the kind that comes from being stuck in the same cycles, in life, in love, in feeling like you’ve settled for less than you deserve.
Natalie Clark’s “Nothing Left to Lose” marks a return to her acoustic roots, yet it never feels small. Instead, it’s a track that swells with emotion and urgency, capturing the very essence of confronting fear and anxiety. Co-produced with Todd Spadafore, the song strips back the production layers that defined her recent work, letting Clark’s agile vocals take center stage. And it’s in that vocal delivery—raw, vulnerable, yet undeniably powerful—that the song finds its true heart.
Andi Fins’ “You Need A Friend” is a warm, introspective hug in musical form—a celebration of companionship that feels refreshingly sincere without tipping into saccharine territory. Set against a backdrop of shimmering DX7 chords and playful guitar lines, the song channels a relaxed, almost effortless vibe that invites listeners into a world of quiet nights, cozy conversations, and the simple joy of shared moments.
“Mile Wide” by Trickshooter Social Club taps into the restless, rebellious spirit of Americana, delivering a track that celebrates breaking free from self-imposed constraints. It’s a song about blowing open the cages we build for ourselves and embracing the chaos that comes with defying expectations. The band, rooted in Chicago’s rich tradition of roots-rock, layers this message over a foundation of stomping rhythms and unapologetically gritty guitar work, inviting listeners to escape alongside them.
BOYFRN’s single “GoGo,” released on July 26, 2024, brings a dynamic fusion of emotional depth and rhythmic drive. Produced by Bobby Love, Young Clancy, and Dave Plowman, and supported by Jahmal Padmore’s drumming, “GoGo” navigates the stages of grief through an explosive, rhythmic canvas. The track’s themes of anger and resilience resonate as BOYFRN delivers a raw, poetic reflection on pushing through hardship.
Grace McLean’s “My Lovely Enemy” is an eerie, entrancing track that defies easy classification. It weaves together a mix of avant-garde pop, blending synths, strings, funky bass lines, and even New Orleans-style horns. The result is a song that constantly shifts and evolves, offering a fresh piece of ear candy every few seconds as it moves between sparse moments and full orchestral swells. This unpredictable soundscape keeps listeners on edge, never settling into one mood or feeling for too long.
When it comes to software, one of the best strategies is to wait for those incredible sales—because, let’s face it, digital products don’t have the same production costs as physical gear, so they often go on steep discounts. $49 is dirt cheap for the level of quality and versatility you’re getting here. If you’ve been holding off on buying premium music software, now’s the time to jump on this deal before it’s gone.
Seattle-based artist Annie J’s latest single, “Gotta Give It Up,” from her upcoming EP “Been Loving You,” is a disco-infused gem that blends funky rhythms with modern pop sensibility. Bursting with energy, this track is designed to make you move, with a groove that’s infectious from the first note.