In “SHELL ( OF A MAN ),” Saya Gray delves into themes of self-reflection and personal evolution. This track serves as the lead single from her forthcoming debut album, SAYA, set for release on February 21, 2025, via Dirty Hit. Gray describes the album as a documentation of her journey through various transitions, emphasizing the importance of self-discovery and growth.
In “I remember how your hands felt on mine,” Wisp delves into the complexities of holding onto past relationships and experiences. Released on October 31, 2024, this track marks her first offering since the April EP Pandora. The song encapsulates the internal debate of whether to let go and move on, capturing the fear that releasing these memories might mean losing those feelings forever.
In “LEECHES,” Ledbyher crafts an intense, introspective dive into the complexity of relationships and personal growth within a world where everyone seems to take more than they give. Known for her experimental blend of bedroom drill and introspective pop, Ledbyher has quickly risen in the UK music scene by transforming raw emotion into immersive, atmospheric soundscapes. This track sees her taking an unflinching look at her own journey, exploring resilience and boundaries in a way that feels genuine and grounded. Her approach allows listeners to experience the push and pull of internal conflict while her lyrics act as a quiet but pointed confrontation against those who drain one’s energy without remorse.
In “Hiraeth,” Stillwater Blackball dives into a deeply personal exploration of identity, place, and the diverging paths that shape us. The song, born from the realization that a childhood friend had gone on to win Miss Wales, captures a sense of wistful introspection, merging memories of a shared beginning with the poignant curiosity about what might have been. It’s a conversation with a friend who’s drifted into another life, and with a version of the artist himself that could have been. This theme of duality runs through the song’s lyrics, leaning on imagery borrowed from Dylan Thomas’s Fern Hill, lending the track a nostalgic yet complex literary quality.
In “Bloom,” Tone Ranger—otherwise known as Alex Simon—takes us on an instrumental journey into the heart of the Southwest, an ambitious undertaking that connects past and present, tradition and innovation. As a composer and multi-instrumentalist, Simon has long found his inspiration in remote landscapes, and in this track, he combines the timeless allure of flamenco guitar with experimental electronic elements, evoking a sense of space and place that feels grounded yet otherworldly.
Artist: Satre Single: Cleanse Genre: Folk, Folk Pop, Indie Folk Release Date: November 1st, 2024 In “Cleanse,” London-based singer-songwriter SATRE delivers a track that captures the tension…
Stone Deaf’s “Red Head” packs a punch from the first chord, channeling the rawness and relentless energy of a band that’s barely a year old but already sounds seasoned. From BBC radio’s “rollicking” praise to sold-out shows in their hometown of Swansea, Stone Deaf’s trajectory has been steep, and it’s easy to see why. “Red Head” isn’t merely a song; it’s a rallying cry for those who’ve endured the toxic push and pull of manipulation, wrapped in a thick coat of distortion, thumping bass, and unapologetic power.
Natalie Clark’s “Nothing Left to Lose” marks a return to her acoustic roots, yet it never feels small. Instead, it’s a track that swells with emotion and urgency, capturing the very essence of confronting fear and anxiety. Co-produced with Todd Spadafore, the song strips back the production layers that defined her recent work, letting Clark’s agile vocals take center stage. And it’s in that vocal delivery—raw, vulnerable, yet undeniably powerful—that the song finds its true heart.
Kylie Rothfield’s “The Barrel” is a gentle gut-punch of a song—a slow-burner that takes its time to cut through the noise and land somewhere deep. It’s indie pop with a soul, borrowing from R&B’s emotional playbook and infusing it with something both timeless and incredibly of-the-moment. Co-written with a team that has their fingerprints on everything from Chapell Roan to Kelly Clarkson, the song is an exploration of exhaustion—the kind that comes from being stuck in the same cycles, in life, in love, in feeling like you’ve settled for less than you deserve.
KARMA’s “SIS (She’s Something)” isn’t the type of track we typically review, but its engaging musicality and unapologetic message make it impossible to ignore. This Memphis-based trio delivers a fresh, club-ready anthem that celebrates the unselfish roles women play in everyday life, with a mix of sass, soul, and swagger. It’s a song designed to uplift, and it does so with infectious energy and smooth production.