Kwolek’s latest single, Euphoria, is a controlled descent into chaos. A brief yet intricate piece, the track plays with structure in a way that keeps the listener slightly unmoored, mirroring its central theme: the idea of staying sane by emptying the mind.
The Afro Nick has always been a bit of an outsider. From his early days busking on the streets of Crete to forming one of the island’s first indie rock bands, he’s consistently found himself just outside the norm, using music as both an escape and an assertion of identity. His latest single, “Get There Before Noon (LA Mix),” is another chapter in that story—a raw, somewhat unpolished indie rock anthem about seizing the day, shaped by his unique background and perspective.
Clay Benjack’s latest single, “Melt,” is a sonic exploration that feels larger than the Norfolk, Virginia apartment where it was recorded. Despite the modest recording space, Benjack manages to create a track that feels expansive and immersive, inviting listeners into a layered, atmospheric world.
Alice Phoebe Lou’s latest single, “Better,” released on November 8, 2024, is a testament to her evolving artistry and ability to craft intimate, reflective music. With its rich, analog-inspired production and thoughtful lyrics, “Better” feels like a modern-day ode to the smooth textures of 1970s vinyl, yet it remains entirely in step with the current indie music landscape.
There’s nothing else out there like “Dog and Pony (The Anarchy)”—and that’s precisely why you should listen. Stoney Forde’s latest single isn’t polished. It doesn’t shimmer. Instead, it staggers into your ears like a half-drunk raconteur at a dive bar, spinning tales that feel both absurd and profound. If music exists to challenge, to provoke, and to offer something utterly new, then Stoney has succeeded on all fronts.
Artist: Work In TV Single: The Good Life Genre: Indie Pop, Alt Pop, Indie Rock Release Date: November 8th, 2024 Work In TV’s The…
Batu Akdeniz’s latest single, The Reason, is the sound of resilience, a high-octane anthem crafted for the stage, where it can thunder through a crowd. Akdeniz, already a rock sensation in Turkey, has pushed his sound even further with the help of iconic drummer Simon Kirke, the force behind bands like Free and Bad Company. With Kirke’s drumming powering the track, Akdeniz brings a gritty edge that amplifies his signature blend of rock and lyrical intensity, creating something that feels both urgent and deeply personal.
SkyCall’s Stop Living With Closed Eyes takes a firm stand, bringing old-school rock riffs roaring back into the conversation about today’s world. After SkyCall’s split in 2023, Fabrice Duval, who’s equally at home diagnosing minds as he is dissecting classic rock, took on the task of finalizing the band’s LP entirely on his own. The result is a track that sounds like it time-traveled from a 1970s garage jam but with the clarity and polish of a modern studio.
Stone Deaf’s “Red Head” packs a punch from the first chord, channeling the rawness and relentless energy of a band that’s barely a year old but already sounds seasoned. From BBC radio’s “rollicking” praise to sold-out shows in their hometown of Swansea, Stone Deaf’s trajectory has been steep, and it’s easy to see why. “Red Head” isn’t merely a song; it’s a rallying cry for those who’ve endured the toxic push and pull of manipulation, wrapped in a thick coat of distortion, thumping bass, and unapologetic power.
BOYFRN’s single “GoGo,” released on July 26, 2024, brings a dynamic fusion of emotional depth and rhythmic drive. Produced by Bobby Love, Young Clancy, and Dave Plowman, and supported by Jahmal Padmore’s drumming, “GoGo” navigates the stages of grief through an explosive, rhythmic canvas. The track’s themes of anger and resilience resonate as BOYFRN delivers a raw, poetic reflection on pushing through hardship.