Childish Gambino surprises us with Atavista, a polished re-release of his 2020 album 3.15.20. Gambino originally released the unfinished record during the Covid-19 pandemic as a rushed love letter to his apocalypse anxiety and to his fans. Needing a master and a mix, Gambino resurfaced the entire album and dropped it alongside a list of tour dates. Atavista is an intimate album that somehow maintains oodles of mystique and disconnectivity. The words to the songs are new, but the album’s sound isn’t anything that we haven’t heard from Gambino before.

You may have heard of Michael Bland through his work with Vulfpeck on “Hero Town.” He plays some of the deepest pocket you’ve ever heard and one of the tastiest, most understated drum solos of all time. His style is one of a kind, and he’s unmistakable in the first beats of “(Br)other”

There’s something about candid, straightforward honesty in lyrics that can cut deeper than overly abstract metaphors and symoblism and “what did they mean by that?” ‘Mr. Liar’ is a track that isn’t trying to dress anything up. The listener knows exactly what the singer is going through – it hits.

The most interesting part about this track, though, is the artist behind it. Check out Tende Kasha’s biography:

Through this project, there’s still a sense of the person behind the thing. It offers a unique perspective on both the genre and the medium, albeit with an unsettling edge. Luma Fade’s work demands attention, promising further evolution and innovation.

Arya River is a budding singer-songwriter from Ocala, Florida. She cites influences from R&B, Soul, and Pop idols like Snoh Aalegra, Alex Isley, and Olivia Dean. Her music offers a blend of warmth, simplicity, and poignant songwriting, addressing impactful topics. With a focus on connecting with young adults navigating the complexities of personal growth, she’s doing something familiar, but she’s doing it in a way that feels fresh. We recommend keeping an eye on her as she finds her footing.

Ascending, ethereal, floaty. Sparkly synths and colorful guitars. Reverb-laden vocals soar atop unique chord progressions, creating a mesmerizing, all-encompassing mosaic of sound. Fans of close-your-eyes-and-float music will fall in love this track.

Here’s what we know so far about Tyler, the Creator’s upcoming album Chromakopia

Taylor Swift has officially become the world’s richest female musician, surpassing Rihanna after the extraordinary success of her Eras Tour, according to Forbes. With a net worth now estimated at $1.6 billion, Swift has firmly secured her place at the top of the music industry’s financial ladder.

In a recent article titled The Musician’s Census 2024: “It’s Becoming Harder To Be An Independent Artist”, Mark Knight of Right Chord Music, in collaboration with Musosoup, reveals the difficulties faced by independent musicians. The survey, which gathered insights from 300 artists across 64 countries, highlights concerns around payment, visibility, and the evolving landscape of the music industry.

Seattle’s music scene is no stranger to innovation, and Waltzerr is adding its own distinct voice to the mix. With their recent EP, the band isn’t just following indie rock traditions—they’re reshaping them. In this interview, we explore how they’ve crafted their sound, the intricacies of their recording process, and how Seattle’s vibrant music landscape shapes their work.

Mk.Gee’s ongoing tour has taken a unique turn, with his song “DNM” becoming an unexpected centerpiece of his shows. Fans across multiple cities have noticed a trend—Mk.Gee is playing “DNM” not just once or twice, but sometimes five, six, or even more times per performance! On Reddit, users from Nashville, Dallas, and other cities have shared their excitement, with some even saying Mk.Gee played the track 9 or 10 times in a single night. One fan from Nashville commented, “I swear I think he played it like 5 times,” while another from DC mentioned, “5 times in DC last night :)”.

In an emotional farewell to a Seattle institution, The Trading Musician, a beloved music store in the University District, closed its doors after 33 years, marking a significant loss for the local music community.