Artist: Bronwyn Keith-Hynes Album: I Built A WorldGenre: Bluegrass Release Date: May 24, 2024
The first time I heard Bronwyn Keith-Hynes play the fiddle was at a concert with Molly Tuttle and The Golden Highway, when the band was making their debut to the bluegrass scene, and I was just beginning to explore the world of bluegrass. As a young violin student, I’d heard a lot of people play the fiddle, but never the way Bronwyn did. Her spirit-filled improvisation and captivating performance made it seem almost like her fiddle and body had melded into one. She immediately became my fiddle-idol, and the reason I fell in love with bluegrass. This past October, Keith-Hynes announced the release of her debut single as the both fiddler and lead vocalist, “Can’t Live Without Love”, which was the launch to her album I Built A World, released May 24th, 2024.
In an interview with Matt Hutchinson from podcast Bluegrass Jam Along, Keith-Hynes claims “I’ve been brewing on this record for a long time.” I Built A World contains one fiddle tune, “Scotty’s Hoedown”, and the rest a collection of songs featuring multiple guest appearances, including bluegrass greats Sam Bush and Jerry Douglas. Country singer Dierks Bentley sings harmony on “Trip Around the Sun”, Darrel Scott on “Angel Island,” Brit Taylor on “Answers,” and Molly Tuttle and Keith-Hyne’s fiance Jason Carter both sing on multiple songs. The band members for the album were Bryan Sutton on guitar, Golden Highway member Dominick Leslie on mandolin, Wesley Corbett and Scott Vestal on banjo, and Jeff Picker on bass. The album was co-produced with the “Legendary Bluegrass engineer in Nashville,” Brent Truitt. It is little to say that this album was a group effort.
Keith-Hynes was originally drawn to the title track “I Built A World”, composed by Matthew Parsons. She heard the song on the radio in Kentucky in 2021, and was drawn to the ambiguity and imaginative nature of the lyrics. Phrases like “heart of a wandering child” reminded her of growing up as a “hippy child”, and “a place and a space in my mind that’s no kind for leaving” of building imaginary worlds in her mind while growing up.
Although it’s easy for people to lose sight of those worlds they built as kids, Keith-Hynes uses her music as a way to continue using her imagination to build worlds of song. She is drawn to the ability that music has to transport us to different worlds, saying, “it’s pretty magical.”
The rest of the album is just that- magical- with a crystalline voice interspersed with fiddle harmonies and swells of different instrumental breaks. Keith-Hynes describes the difference between approaching the album as lead singer versus as a fiddler as “freeing and fun”. She describes the change from being centered around one moment for her to express herself through the fiddle break, to the whole song being a way for her to, as the lyrics to “I Built A World” say, “let my spirit run free just to see what my hands like to make.”
Bronwyn Keith-Hynes is a two-time International Bluegrass Music Association fiddle player of the year, member of twice grammy award winning Molly Tutle and The Golden Highway, and past member of multiple bands, including Mile 12. With all accolades around her fiddle, she shares how it took time and confidence to begin her solo album as both lead vocalist and fiddle player. “Who’s ready to record a vocal album for the first time?” she says.
Much of Bronwyn’s inspiration came from working alongside guitarist Molly Tuttle and bassist Shelby Means from The Golden Highway. “I’d never been around such great female Bluegrass singers,” she says. Bronwyn’s vision is to continue her wonderful fiddling in bands like Molly Tuttle and The Golden Highway, and being the leader of a band as a “longer-term” pursuit.
Bronwyn Keith-Hynes is right there with musicians like Molly Tuttle and Billy Strings, who are bringing bluegrass into the light of massive crowds and igniting the genre’s comeback among young audiences. The release of her solo album I Built A World, and all of the current excitement in the bluegrass genre, Bronwyn says that it’s “a really fun time to be in this world.”
As an aspiring bluegrass fiddler and singer myself, I couldn’t be more excited about the space that the bluegrass genre is holding today. I am ever-inspired by Bronwyn’s beautiful fiddling and voice, and the ripples that she is making in the bluegrass community.
Featured
You may have heard of Michael Bland through his work with Vulfpeck on “Hero Town.” He plays some of the deepest pocket you’ve ever heard and one of the tastiest, most understated drum solos of all time. His style is one of a kind, and he’s unmistakable in the first beats of “(Br)other”
There’s something about candid, straightforward honesty in lyrics that can cut deeper than overly abstract metaphors and symoblism and “what did they mean by that?” ‘Mr. Liar’ is a track that isn’t trying to dress anything up. The listener knows exactly what the singer is going through – it hits.
The most interesting part about this track, though, is the artist behind it. Check out Tende Kasha’s biography:
Through this project, there’s still a sense of the person behind the thing. It offers a unique perspective on both the genre and the medium, albeit with an unsettling edge. Luma Fade’s work demands attention, promising further evolution and innovation.
News
Here’s what we know so far about Tyler, the Creator’s upcoming album Chromakopia
Taylor Swift has officially become the world’s richest female musician, surpassing Rihanna after the extraordinary success of her Eras Tour, according to Forbes. With a net worth now estimated at $1.6 billion, Swift has firmly secured her place at the top of the music industry’s financial ladder.
In a recent article titled The Musician’s Census 2024: “It’s Becoming Harder To Be An Independent Artist”, Mark Knight of Right Chord Music, in collaboration with Musosoup, reveals the difficulties faced by independent musicians. The survey, which gathered insights from 300 artists across 64 countries, highlights concerns around payment, visibility, and the evolving landscape of the music industry.
Seattle’s music scene is no stranger to innovation, and Waltzerr is adding its own distinct voice to the mix. With their recent EP, the band isn’t just following indie rock traditions—they’re reshaping them. In this interview, we explore how they’ve crafted their sound, the intricacies of their recording process, and how Seattle’s vibrant music landscape shapes their work.
Mk.Gee’s ongoing tour has taken a unique turn, with his song “DNM” becoming an unexpected centerpiece of his shows. Fans across multiple cities have noticed a trend—Mk.Gee is playing “DNM” not just once or twice, but sometimes five, six, or even more times per performance! On Reddit, users from Nashville, Dallas, and other cities have shared their excitement, with some even saying Mk.Gee played the track 9 or 10 times in a single night. One fan from Nashville commented, “I swear I think he played it like 5 times,” while another from DC mentioned, “5 times in DC last night :)”.
In an emotional farewell to a Seattle institution, The Trading Musician, a beloved music store in the University District, closed its doors after 33 years, marking a significant loss for the local music community.
Childish Gambino surprises us with Atavista, a polished re-release of his 2020 album 3.15.20. Gambino originally released the unfinished record during the Covid-19 pandemic as a rushed love letter to his apocalypse anxiety and to his fans. Needing a master and a mix, Gambino resurfaced the entire album and dropped it alongside a list of tour dates. Atavista is an intimate album that somehow maintains oodles of mystique and disconnectivity. The words to the songs are new, but the album’s sound isn’t anything that we haven’t heard from Gambino before.